FOLIO / MATERIALS, METHODS & ARTISTIC PRACTICE
Art history is part of how I make things: from digital works and text-based practice to the aesthetic vocabularies, datasets and prompts of generative AI.
WORKING MATERIAL
艺术插画模型标签库
Style is a language.
A label is a decision.
AESTHETIC KNOWLEDGE AS MATERIAL
My work with generative image systems includes organizing visual references, preparing training data, and developing aesthetic vocabularies and prompts.
The label library brings styles, visual contexts and references into a shared working structure. Here, art-historical knowledge becomes part of the material used to shape an image system.
The ontology research follows the shift from objects to concepts, processes and information.
USE CONTEXTS / 使用场景
APPLIED PRACTICE
Art-historical research informs aesthetic choices; those choices enter the system through references, training data and prompts.
The other side: writing on AI & artistic labour ↗MEITU · MT LAB OVERSEAS / 2025—PRESENT
Dataset preparation and training-data design for AirBrush and BeautyPlus; aesthetic design and prompts for AI filters, portraits and fashion, with collaboration on AI agents for creative expression.
XIAOHONGSHU / 2023—2025
Art-historical research informing the aesthetic design of generative AI products, with contributions to prompt-engineering guidelines.
8BIT / 2022—2023
AI training plans shaped by product and algorithm requirements, and leadership of a data team preparing datasets for aesthetic design.
ARTISTIC PRACTICE
DIGITAL & TEXT SERIES / 2023 AUCTION
Works from my digital series VaporWave and text series Art History of Future were auctioned at the TangDAO charity auctions.
Related writing: Art History of Future: Writing for Future People, ZiWU Journal, vol. 33, March 2022.
DIGITAL ART / 2022
Artist participation in the museum’s opening on Voxels, including exhibition planning and a charity auction.
DIGITAL ART / 2021
Collaboration with Alibaba Ant Blockchain Digital Art to auction earlier works.